BUY DYING THOUGHTS - SECOND SIGHT IN AUDIOBOOK: http://www.books2read.com/DTSS
BUY DESTINATION: UNKNOWN IN AUDIOBOOK: http://www.books2read.com/DUKN
[ID: A shadowed forest background with the title LIGHTS OFF at the top and out now in ebook & paperback just below the title The except reads:
She nodded as she kept working. “Reaching out to our contacts at the bases here and in Cardown, they’ve been suggesting an idea that we need to run past Jay. They want to try and openly revolt, which might work, but first we have to sway the public back to our side of thinking. If we try and pull this off without public support, then it’s not going to happen. The first step is getting this footage out there, and then maybe we can go to Jay, show that the public are behind us, we could start laying the groundwork.”
I took in what she said, but my focus was on the work in front of me. “It’s something to think about then.”
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the top left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]
THE TRIALS OF AN INDIE AUTHOR: PIVOTING WORKS
I've been an indie author for a very long time at this point, and I've learned and experienced a lot over my years. I've made mistakes, but I think all authors, somewhere along the way, will make those, and it's just a case of learning from them, moving on, and sometimes pivoting to make sure that you don't make them again. I was first published in 2005, and while I've grown since then, sometimes you forget that you can still fall into those same traps and bad habits.
One thing that it is easy to get caught up in, is the fact that as an indie author, you're pretty much the one who has to make all those decisions. You have to hire the editors, the cover designers, do all the promotion and release stuff. While yes you can hire PR companies and the like, not everyone starting out, or even later down the line, has that kind of money to do so. It's great if you do, but for a lot of indie authors, it's just not possible.
While I've talked before about all the hats an indie author wears (found here), I thought that today I would talk about how sometimes you can make a good thing out of a bad thing, even if it doesn't feel like that at the time. I made the mistake of not looking into doing audiobooks when I first started. It felt like something that was always going to be out of my reach, but when I finally, last year, decided to give it a go, it opened up a whole new world of readers, and it's something that I plan to continue doing going forward, as much as I'm able to at least.
A lot of the time as an indie author, you can feel like you have all this pressure on you, and you don't know how to get it all done. It's something I've felt a lot, especially when it comes to releases, and that's when I've found it better to focus on the things I can do rather than the things I can't. Like I'm never going to be able to write, edit, and publish in a matter of months, but I can make sure that I have a steady release schedule. Yes I have a lot of books drafted that need to be revised, and the thought of writing more made me feel way too anxious because how was I going to find the time to really revise the ones that needed a lot of work, and maybe even sensitivity reader input? That's when I kinda pivoted and decided to take a break from drafting and focus on getting some of my projects in better shape.
I'm someone who has always been exceptionally organised. It's something I've done from a very young age and it's something that helps me stay on track and allows me to stay productive even when my body is saying it needs time to rest, because I prep so many things in advance, it allows me to take those times off and still manage to stay on top of work. It's not something that works for everyone, and my way may not work for you, but it's a good idea to give it a go, especially if the indie life is already overwhelming you, because man, I feel that on a deep level.
But when it comes to pivoting, to changing direction, to taking the bad issues and making them good, it really is a good idea to have some kind of plan in place. Like I knew that I wanted to take at least a year off drafting. I knew that if I didn't set a deadline for when the current revision/rewriting projects were done, then I would spend forever going back and forth with them. I know that I work well with those kinds of deadlines because I have them when it comes to getting my books to the dev editor and the like. So I made sure I had a good chunk of time to work on things, and then set a finish date. I will be doing the same with two more projects after this, but again, there's another deadline there, after which I hope to maybe be in a place where I can draft again.
I tell you all this because I feel like a lot of the time, the focus is on churning out book after book after book, and if you are someone who can write, edit, publish in a short space of time, hats off to you. I am not. I know it would just stress me out, and I would lose my focus, so I do it my way, and that's fine. But if you're finding that the way you're doing this right now isn't working for you, then pivot. You might surprise yourself!
Any questions? Lemme know in the comments!
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Joey here on the blog on Fridays for interviews, reviews and guest
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[ID: An orange background with the title CRAMPING CHRONICLES: THE THIRD ACHE at the top and out now in ebook & paperback just below the title The except reads:
“No, it's fine,” I said, shaking my head again. “I should get to class, I don’t wanna be late there too.”
Craig took hold of my chair, Meera watching me with concern, as we both left our tutor room and headed off to our Maths class. I didn’t want to talk about Tyra just yet. There would come a time when I’d have to tell my friends, but until then I’d put it off.
After all, it didn’t feel like the problem was going anywhere.
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the bottom left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]
5 WAYS TO REVISE/REWRITE
As you may know, I've been taking time off drafting and working on revising and rewriting older projects. At the moment I have two of those, as well as a project in the last stages of revision before it goes off to the editor. When I penned the last word of my previous drafting projects, I jumped into rewriting and revising without any real way of knowing how much work was going to be involved, and how to even go about doing it.
I'm someone who plans my time extensively. I make sure that I know what I'm going to be doing in the upcoming month, and I make sure I have all my ducks in a row as it were. So faced with going back to projects I last looked at in 2019, it was a little nerve wracking because I didn't really know what state they'd be in. I was aware that they would, probably, need a lot of rewrites, but I wasn't sure if I'd be going about that by outlining and rewriting every chapter, or doing it more as a revision project.
Now that I've had a few months of doing this, I have a better handle on things, and thought that today I would give you five ways to revise or rewrite and save you the stress of not knowing how to do it all.
#1 READ & CHANGE
This is similar to what I do when I first start any revision project. I set it up by doing a full read through and then making any changes as I need to. The issue with this is it can be exceptionally time consuming, and if you don't know ahead of time what, if any, changes need to be made, or even all of the plot beats through the story, you might find yourself correcting things that actually work and help with the later chapters. Now if you're a hardcore plotter, this might not be an issue, and if so, this way might work for you.
#2 APPROACH CHANGES IN BLOCKS
If you have a good idea of the story, either by reading through it completely and making notes, or by just knowing it well enough, then you can set about making those changes in blocks. Like splitting it into acts, or chapters, or scenes, whatever works for you, and then make those changes throughout that block before you move onto the next one. This works for plotters and pantsers, especially if you've already got a good idea about what needs to be changed in each section.
#3 REWRITE FROM THE START
I've never had to do this, but I do know that it works for some writers. They will write their first draft, or zero draft, and then go through and rewrite the whole thing, as in typing it all out, either using the first draft, or from knowing the story, and doing it that way. Whichever works for you is fine. I've thought about doing this, but have never had the reason to actually go about it, and while it might be something I do in the future, for now I've found that my way works better for me.
#4 READ AND OUTLINE
This is what I do. I will read the draft from start to finish, sometimes a few times, and will then sit and make an outline. I take copious notes, I make sure that I have all the plot beats and I make sure I know what needs to happen in each chapter for the story to be more cohesive. If things need rewriting, then I'll note that in the text, and I'll keep going through it until I'm sure I have everything. It's the way that's worked best for me in all my revising and rewriting time.
#5 GO CHAPTER BY CHAPTER
This is similar to approaching the changes in blocks, but in this case you'll do it on a chapter by chapter basis. It's going to be something that works better for those who already know how the story goes, and knows whatever plot issues you might have, along with pacing and the like. That's because you don't want to be getting a chapter perfect, only to find out later that actually you needed to keep this part for the rest of the story to work. It's not something I've ever done, but it could work for those with a better grasp of the full story.
So there we go, those are five ways you can approach revising and rewriting. It's a mammoth task and it will take time. I usually spend months getting my book into good enough shape to go to the editor, but of course I'm coming at it from a stance of being a plantser so it may be different for those who plot from the start. Good luck!
Any questions? Lemme know in the comments!
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Joey here on the blog on Fridays for interviews, reviews and guest
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5 PIECES OF WRITING ADVICE I HATE
If you've been a writer for any length of time, and especially someone who's online a lot, you'll have heard a whole lot of writing advice. Some of it has its place, but a lot of the time it's done in absolutes, and there are a lot of things that people forget when it comes to absolutes. Every writer is different and every one approaches the writing life differently, and that's completely valid.
Now having been writing more than half my life, it makes sense that I'd have picked up a few pieces here and there that I found just rubbed me the wrong way. You'll probably find that every writer out there has some pieces of writing advice that they just do not agree with and do not pass on to newbie writers, or if they do, they do so with a large pinch of salt.
I thought that today I would delve into the five pieces of writing advice that I really just can't stand, and dig into why and what I think should be given in its place!
#1 WRITE EVERY DAY
You can probably work out why I don't like this. I'm a chronically ill and disabled author, and it's just not physically possible for me to write every single day. But the same applies to those who are completely healthy as well. Writing every day is not sustainable, and while there are probably some unicorns out there who can manage it, I don't know any of them. My preference to this advice would be to set a routine, find a way that works for you, carve out that time, and it doesn't have to be every single day, and make it work. I think that's what the original giver of this advice meant, but the nuance has been lost over time.
#2 SAID IS DEAD
I got the same talk that I'm sure a lot of writers have had from their English teachers. We should vary the dialogue tags and never ever use said. Except that sometimes it's the best word for it. Sometimes getting creative with the tags makes the writing look clunky and comes across sounding like you picked up a thesaurus and just went nuts. Need I remind anyone of the writer who should not be named, who used the dialogue tag 'ejaculated' in all seriousness? Like really? That's better than just saying said? I don't think so. While yes it's good to have a little variety, said is often the better word.
#3 WRITE WHAT YOU KNOW
Ah, this one is one that gets me every time. While yes, there is a time and a place for it, a lot of the stories told are things people could never experience. I don't have psychic abilities, and yet I wrote a whole eight book series about it. I've never been in a dystopian, yet I've written about that. I'm not an empath, etc, etc. While yes it's a good idea to include things you have experience with, the ability to write almost anything is universal. Imagination is a powerful tool, and while yes, you should research things you're not familiar with, especially if we're talking marginalised identities, it's not where it's completely impossible to have help with that, like sensitivity readers, which are a great tool to use. If we all stuck to only writing what we know, fiction would be very boring.
#4 ONLY WRITE ONE GENRE
This is something I see a lot of people talking about and it always makes me sit back and think: huh? Like I do realise that there are some writers who will only write one genre, and that's fine for them, there are others, like me, who have a handful of genres and move through them. While it may be easier to have success with just one genre per pen name, it's not a case of always having to write that genre and nothing else. It can be done, there are successful writers who started in one genre and moved to another, and it works. It might be harder work, but it is possible. I go where the ideas take me, and even then, I'm more based in a handful rather than all the genres.
#5 X TROPE/GENRE IS DEAD, NEVER WRITE IT
I don't know whether people realise that everything goes in and out of fashion in cycles. There are always going to be hot genres and tropes for a time, and then people turn their focus to something else, and eventually yes, they come back to that trope/genre. It might make it harder to market, but along with the hot topics, there are always going to be those readers who always love that trope and genre no matter whether it's in fashion or not. So go ahead and write what you want, and decide about releasing and such on your own, but it's not a case of any genre or trope being dead forever. It'll come back around eventually.
So there we go, those are the five pieces of writing advice that I hate. While there is always going to be some pieces that apply more to others than you, there can, usually, be a way to make it work, I just avoid absolutes because they are never universally true. Your mileage may, of course, vary.
Any questions? Lemme know in the comments!
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Having been committed to the De Hewitt Psychiatric Hospital, Kira slowly begins to accept that she’s safe here. She starts to make friends and even gets used to the new branding on her forehead that marks her for what she is: an Untrustworthy Offender.
But then the voice inside Kira’s head tells her she needs to escape. Her past is catching up with her, and she needs to run… now.
My Review: 5 STARS
I’ll preface this review by being clear that this is a heavy heavy book, and you need to watch the trigger warnings. Dyer draws you into the world with the dystopian themes and then carries you through a traumatic and enticing experience as you start to learn more about Kira and everything she’s gone through. I loved the book, even with it pulling no punches, and taking you through some very dark times, it’s enough to make you really sit up and take notice. The way Dyer has pulled you through the themes makes you feel like you are on the journey with Kira watching and hoping things work out for her. A chilling read, but one that is very much recommended!
Join
Joey here on the blog on Fridays for interviews, reviews and guest
bloggers. If you'd be interested in doing any of those, you can contact
Joey here
THE MANY DIFFERENT WAYS OF SOCIAL MEDIA
Social media is a massive beast and it's something you, as a writer/author, have to slay in your own way. I've been someone who's pretty much on all the social media I can be. Mostly because I'm old enough to have joined when they were first launched and then gone from there, but I want to be clear that you do not have to do this! You can have one, two, more, or absolutely none and that is okay. You have to do what is best for you, and no one should be demanding you do differently.
The one thing I learned early about social media is that every platform has a different audience. Like Twitter, before it went the way it did, and one I have since gladly left, was all about short form. Instagram was photos and long form. Tumblr is a mixture of the two. Facebook is more about links and memes, and YouTube is videos and some short form video content. There's more, like Blue Sky and Threads, both of which I use and am active on, though more so on Threads, that are still finding their way, and both are more about replacing the Twitter hole left from that app going seriously downhill.
But my point is that you need to know more about what goes into each one before really deciding where to set yourself up and how to work it to your advantage. I won't claim to be a social media expert, because I'm not, but I will say I have found things that've worked for me, and things that have not. I personally find it pretty easy to manage my time on all the ones I'm part of, but I completely understand how daunting it can be to come into the writer/author space and not know the first place to start.
So here are my big tips when it comes to social media and being active on many, or any!
#1 GO WHERE YOUR AUDIENCE IS
This should be simple and easy, but it's not because the demographic changes from time to time. Like I know that Instagram and Threads are more bookish spaces, and YA too, depending on the hashtags you use. I also know that Facebook very much is not, but I do have followers there who've been with me for a long time, and none of the other social sites seem to have as good a handle on groups as Facebook does, so for that you're kinda stuck.
But if, say, you're writing romance for adults, then you're gonna wanna be in a space where you know you'll how to bring your readers to you. There is little point trying to attract attention from an audience when the ideal people, your target audience are not even present. You need to do a whole lot of research and know what you're trying to do, and who you're trying to attract.
#2 TAILOR YOUR CONTENT TO THE SPACE
This is something where I made this mistake when I was first starting out. I posted the same thing absolutely everywhere. It doesn't work like that. While there are something I'll cross post, the way I go about doing that matters. Tumblr is better to have the actual posts rather than just links. Instagram wants photos that are eye catching and links in stories rather than the posts themselves. YouTube needs videos, and it should be content that's more unique to that space.
My point is that while there is, and can be, some cross over - like posting your reels to YouTube as shorts, or on Threads as a link - it shouldn't only be that. There should be some content that is unique to that platform. People engaging with you will be fine with a little cross-over but if it's all the same, and it's things that wouldn't normally be on that platform, it's going to have the opposite impact and annoy people.
#3 BALANCE THINGS
By this I simply mean that just because you can be on all platforms, doesn't mean you have to be. Like I said at the start, I am on a lot of them because I was around at the start, but that doesn't mean I'm exceptionally active on all of them at all times. I've grown my own routine and schedule, and it works for me, but that doesn't mean that someone just starting out has to do the same. You need to choose your battles wisely, as social media takes a whole chunk of time, and you still have to be writing your book after all.
So be careful, and balance the way you do things and when you do them. Work out what gets you to the right readers and go from there. Don't overextend yourself and end up in burnout. No one wants that!
So those are my tips, and I hope they're helpful to you! Good luck!
Any questions? Lemme know in the comments!
Follow Joey to be kept up to date with the latest news regarding Joey and her books.
Join
Joey here on the blog on Fridays for interviews, reviews and guest
bloggers. If you'd be interested in doing any of those, you can contact
Joey here
[ID: An orange background with the title CRAMPING CHRONICLES: THE THIRD ACHE at the top and coming October 15th 2024 just below the title The except reads:
I knew my mistake before I turned to see who I'd rolled over. I could feel her pain radiating through me. Sure enough, Tyra was there, face like thunder, eyes showing both the anger and the twinge of pain. If anything, my whole body hurt more than it had yesterday.
She was stood with Cassie and Lynn. Just my luck they were all in the same tutor group. Tyra grabbed hold of my chair, and spun me around, leaning over me and putting her hands on my arms, making the same impressions she had the day before. I won't lie, it bloody hurt, but I kept my pain to myself, or at least tried to.
“You did that on purpose,” she spat, eyes locked on mine. “You wanna know actual pain, snowflake?”
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the bottom left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]