Join Joey here on the blog on Fridays for interviews, reviews and guest bloggers. If you'd be interested in doing any of those, you can contact Joey here
[ID: A dark blue/purple background with the title BLACKOUT at the top and out now in ebook, paperback & audiobook just above the title The except reads:
“You don’t know anything about me. I didn’t judge you when you came back to school did I?” she demanded. I hated that she was right. It’s true, she was one of the only people who didn’t stare at me or say anything. But then again up until a few seconds ago she’d never said anything to me before.
“No,” I replied.
“Then just leave me alone,” she told me. She pushed her chair out, tossed her bag over her shoulder, shot me an evil look and walked out. Wow, Lisa had a temper on her. I wonder why she’s so touchy.
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the bottom left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]
YOU CAN'T DO IT WRONG: DRAFTING
I have, at this point, drafted 48 books to completion. I have pantsed, I have lightly planned, I have never outright seriously planned because it's just not the way I do things, but I have had books where there's more planning involved than others. I think it's pretty clear that I know what I'm doing when it comes to drafting, and I think it's pretty obvious that I've done my work and found a way that works for me. After all about half of those drafts were written in the last decade, just to give you some idea of how I've worked.
A lot of the time, I see people giving advice, and telling new writers, and old ones, that the way they're doing things is wrong. Either because they're a hardcore planner and thinking pantsing is the antithesis of writing, or they're pretty sure that their method is the only valid way of doing things because it works for them, so therefore it must work for everyone.
Of course it doesn't work like that, but I'm not a big name. I have my little corner of social media and the internet. I have my readers, and the people in my writing community, and I adore it. I love that I get to do something I love for my career, and I love that I can keep telling my stories and getting them out there to people, allowing them to explore and learn more about my characters and my way of doing things.
I will say this though, and I will keep saying this: YOU CAN'T DRAFT WRONG.
It doesn't matter if you are a planner with step by step breakdowns. It doesn't matter if you use a beat sheet. It doesn't matter if you wake up one morning and just go wherever you want with no plan whatsoever. It doesn't matter if you know the ending, doesn't matter if you don't. All forms of drafting are valid. You tell your story the best way you can, and there is no wrong way to do things.
At the end of the day, the job of that first draft is just to exist. If you find that the process you used doesn't work for you, that's different, but it does not mean that you have therefore done something wrong, like a crime against the writing gods or whatever. All of us writers are doing the best we can with the tools we have, and it's completely normal for that process, and those tools, to grow, change, adapt, and all the rest. It's normal to change your process, and it's also normal to hit on one that works for you and take it and run with it.
When I first started drafting all those years ago, I did a very very very bare bones outline. Like even more bare bones than now. I also sat down and fast drafted that book in ten days. When I sat down to write the next one, I tried to do the same process, and found that nope, it was not going to work for me. So I tried a few things, and changed this and that, and then hit on a process that has, pretty much, since then been the way that I work.
It's all well and good trying to tell people that your process is the one that helps you bring about clean drafts and brings with it minimal editing, and therefore it's a good process. It is... but it's good for you, not everyone. There is nothing wrong with finding your own process. You've not done something wrong, and if you find it doesn't work midway through the draft, ain't nothing wrong with changing it either.
We all have to work with what works for us. Nothing wrong with your process not matching anyone else's, that is normal. We all approach the creative side of ourselves differently, and that's completely okay. So if someone is telling you that you draft 'wrong', you don't. It might not be the right way for them, and it might turn out not to be the right way for you, but no creative process is completely wrong. It's just about finding the right one for the way you work. And that's okay.
Any questions? Lemme know in the comments!
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Zelda Ravensdale wants to graduate from Madame LeBleu's School for Godmothers at the top of her class, but with her magic acting up, she must prove herself worthy by completing a special mission from the headmistress herself.
Lonely Crown Prince Leo has no interest in becoming king. When he wishes away his crown, he sets off a series of events that risk upsetting the balance of magic in the modern world. The fairies need an ally on the throne to keep magic under their control and as a lover of the magical sciences, Leo is the perfect candidate.
Now Zelda must convince Leo to keep his crown, but that's easier said than done. When they discover a magical organization bent on stealing magic for themselves - and taking out the crown prince with fairy sympathies - every Happily Ever After and even their lives are on the line.
Join
Joey here on the blog on Fridays for interviews, reviews and guest
bloggers. If you'd be interested in doing any of those, you can contact
Joey here
[ID: A blue DNA background with the title INVISIBLE at the top and out now in ebook & paperback just below the title The except reads:
“It's a long story, Jonah,” Jackson said, swallowing thickly. “You asked about your mum?”
“Yeah, but only because I heard her calling me,” I said with a smile as I turned to look back to where I thought she'd been. There was no one there. No hand in mine other than Jackson's. “Where did she go?”
“Jonah, you've been out for a day or so. I'm so sorry, but your mum died from the virus about three hours after we arrived here.” Jackson squeezed my hand.
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the bottom left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]
SPOONIE WRITER: USING WHAT WORKS FOR YOU
One thing you will get a whole ton of in the writing community, and outside of it, is advice. Whether that's on how to draft, or how to revise and edit, or which publishing path to choose. There is all this advice out there, and while a lot of the time, it's useful, it's also, usually, tailored to the abled and healthy writers. One thing I learned very quickly when I started writing properly, was that a whole big chunk of that advice did not apply to me.
It wasn't because I didn't want it to, or because I thought I was some special snowflake/unicorn of a writer, it was because I wasn't physically capable of doing the majority of it. Now I've talked before about how writing every day isn't a favourite piece of advice for me, and also doesn't apply to a wide variety of writers, but there's other bits and pieces that just don't work, because they assume that you are capable of sitting for hours, or going out and walking distances. It assumes that you aren't going to be trying to fit things into this chunk of time when your body is finally playing ball and letting you work.
That's not a slam against the givers of that advice. They can only give advice with things they have experience with. It's one of the reasons why when I started this blog, and started giving advice, that I made sure to make it clear that I was disabled and chronically ill, because my advice is going to be coming from that place, and that's my experience. People who don't know what it's like to have to carefully plan for energy crashes, or bad days, or pain that makes it impossible to think, let alone do anything, aren't, necessarily, going to tailor their advice to that experience, and that's okay. It's why I do a lot of what I do, so that there are some voices out there who are thinking of those writers like me, and I know there are a lot of them out there.
So what do you do when you realise that the advice you've trawled the internet and community for doesn't apply to you? You can find ways that do work for you. Whether that's through trials and error, or reading through my posts, or just adapting the way everyone else is doing things to fit your needs and abilities. You find a way that allows you to keep within your limits, and still do the things you wanna do.
I know that sounds wishy washy, I know it sounds like I'm expecting you to automatically know what works and what doesn't, but this is where a lot of writing advice is hard to apply to your own process and work, because no one else works the same way as you do. While you may have a lot in common process wise with some of your faves, no one else deals with the situations you're dealing with in the exact same way as you do. It's why the majority of writing advice is not universal. It's why, when giving advice, I always make it clear that if it doesn't work for you, that doesn't mean you're doing it wrong, just everyone creates in their own way, and that's okay. That's normal. That's to be expected.
But when you're a spoonie, and you're dealing with limited time, energy, and everything else, it can be doubly hard to find a way that does work for you. It can be next to impossible to latch onto an idea and turn it this way and that, and find that it fits you. It's not easy. It's not something where I think you'll come across this blog post and be like: ah ha! Now I know how to do everything! I know it's not. But at this point, I can't tell you how to make it work for you. Only you can do that, which I guess might sound like a cop out, but it's also true.
I don't know your circumstances. I can give you mine, I can tell you what works for me, but I can't then apply all of that to your life, because that's not something I have the ability to do. My advice? The whole point of this? Keep trying new ways. Keep moving forward. Keep doing this and that, and while yes you should ignore the advice that has you pushing through and causing flares, you do need to do a lot of trial and error, and when you find that magic answer, that way that does work? Put it in your toolbox and keep using it.
We all want to be writers. We all want to succeed, and we all have to find our own ways of doing things, and if that takes a while, if that takes years compared to abled and healthy writers? Then so be it. As I've said often enough, it takes as long as it takes, and that's okay. The world needs your stories, and it will wait for you to get them out there.
Any questions? Lemme know in the comments!
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Joey here on the blog on Fridays for interviews, reviews and guest
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[ID: A dark blue background with the title CRAMPING CHRONICLES: THE SECOND PANG at the top and out now in ebook & paperback just below the title The except reads:
"So...," she said. "You had a headache in class because I had a headache?"
This was the tricky bit. Well to be frank the whole bloody conversation was the tricky bit. I'd painted the sympathetic pain as being because I loved someone, or at least cared for them. How was I going to explain Marcus triggering my pain, even though I had an inkling it was because he was the brother of my empath friend?
"Not you," I said, carefully choosing my words. "I was already feeling bad anyway, and then there had to be someone in class with a headache and I guess, my sympathy pains picked up on that?"
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the top left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]
THE TRIALS OF A CRIME WRITER: A BREAK ISN'T BAD
I've always been a big proponent for breaks. I've talked about it a whole ton on my AuthorTube channel, and I've talked about it here too. Sometimes everyone needs a break, and it's not a bad thing, it's not a reflection on you as a writer or the like, you're human, you need time to rest. I will admit that while being a big advocate for breaks, I wasn't always good at taking them myself. The thing where you can give the advice, but just don't know how to apply it to your own life.
That said, I have gotten better at it in recent years. I now have at least two days off completely every month, and with the fact that I only work in the wee hours, it allows me to have a lot of downtime during the regular day to catch up with sleep and rest and books. It means that while I will work a lot during the month, I don't do too much, and I make sure that I have time to get my work done and still have a chance to rest.
Some of that is because of being chronically ill and disabled. Some of it is just my sleep schedule is messed up. Some of it is about having that healthy work/life balance, and some of it is just where the chips fall. I didn't ever set out to work in the wee hours, but my body just decided that wake up time was between 1am and 4am, and that's just the way it happens.
But I've also taken a break from drafting. I sat down the year I turned 40 and realised that I would finish my 40th draft in that year. I worked it out and then realised that if I kept going at the speed I was, I would have finished 80 drafts by the time I turned 50, and that terrified me. Like right now I could not draft until 2038 and I would still have books ready to revise and publish. I don't wanna leave stories untold, but I also don't want to get to a point where it would be physically impossible for me to publish the books that I've already spent time and energy on.
So I took a break, and started working on revising and rewriting older drafts that might have needed a little extra time to get into shape, and so far? I'm loving it. I only vaguely remembered the stories, and when I went back to reread them, I was anxious about how bad off they'd be, and while there are plot holes and pieces that needed to be changed and rewritten, they are, mostly, solid stories. It allowed me to get a new perspective on my writing, on the stories I've told and the stories I will tell in the future.
While yes, I have been hit with new story ideas, and yes I do have plans to eventually go back to drafting, I would, first, like to get to the point where I have a few more of my older projects somewhat revised and ready to eventually go to the editor. It would allow me to spend more time on upcoming projects that need input from sensitivity readers and the like and still manage to hit my own deadlines when it comes to them going to the dev editor and the like.
So while I didn't know what lay ahead for me when I made that decision to take a break two years ago, I'm so freaking glad I did. It's allowed me to fall in love again with stories I'd previously told, and also work things out so that the whole process makes things easier for me in the long run. Taking that break, or this break since it's still ongoing, has allowed me to really branch out and see what needs to be done, and doing it, rather than worrying about it instead.
So yes, breaks aren't bad, in whatever form they take!
Any questions? Lemme know in the comments!
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[ID: A shadowed forest background with the title LIGHTS OFF at the top and out now in ebook & paperback just below the title The except reads:
She nodded as she kept working. “Reaching out to our contacts at the bases here and in Cardown, they’ve been suggesting an idea that we need to run past Jay. They want to try and openly revolt, which might work, but first we have to sway the public back to our side of thinking. If we try and pull this off without public support, then it’s not going to happen. The first step is getting this footage out there, and then maybe we can go to Jay, show that the public are behind us, we could start laying the groundwork.”
I took in what she said, but my focus was on the work in front of me. “It’s something to think about then.”
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the top left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]
THE TRIALS OF AN INDIE AUTHOR: PIVOTING WORKS
I've been an indie author for a very long time at this point, and I've learned and experienced a lot over my years. I've made mistakes, but I think all authors, somewhere along the way, will make those, and it's just a case of learning from them, moving on, and sometimes pivoting to make sure that you don't make them again. I was first published in 2005, and while I've grown since then, sometimes you forget that you can still fall into those same traps and bad habits.
One thing that it is easy to get caught up in, is the fact that as an indie author, you're pretty much the one who has to make all those decisions. You have to hire the editors, the cover designers, do all the promotion and release stuff. While yes you can hire PR companies and the like, not everyone starting out, or even later down the line, has that kind of money to do so. It's great if you do, but for a lot of indie authors, it's just not possible.
While I've talked before about all the hats an indie author wears (found here), I thought that today I would talk about how sometimes you can make a good thing out of a bad thing, even if it doesn't feel like that at the time. I made the mistake of not looking into doing audiobooks when I first started. It felt like something that was always going to be out of my reach, but when I finally, last year, decided to give it a go, it opened up a whole new world of readers, and it's something that I plan to continue doing going forward, as much as I'm able to at least.
A lot of the time as an indie author, you can feel like you have all this pressure on you, and you don't know how to get it all done. It's something I've felt a lot, especially when it comes to releases, and that's when I've found it better to focus on the things I can do rather than the things I can't. Like I'm never going to be able to write, edit, and publish in a matter of months, but I can make sure that I have a steady release schedule. Yes I have a lot of books drafted that need to be revised, and the thought of writing more made me feel way too anxious because how was I going to find the time to really revise the ones that needed a lot of work, and maybe even sensitivity reader input? That's when I kinda pivoted and decided to take a break from drafting and focus on getting some of my projects in better shape.
I'm someone who has always been exceptionally organised. It's something I've done from a very young age and it's something that helps me stay on track and allows me to stay productive even when my body is saying it needs time to rest, because I prep so many things in advance, it allows me to take those times off and still manage to stay on top of work. It's not something that works for everyone, and my way may not work for you, but it's a good idea to give it a go, especially if the indie life is already overwhelming you, because man, I feel that on a deep level.
But when it comes to pivoting, to changing direction, to taking the bad issues and making them good, it really is a good idea to have some kind of plan in place. Like I knew that I wanted to take at least a year off drafting. I knew that if I didn't set a deadline for when the current revision/rewriting projects were done, then I would spend forever going back and forth with them. I know that I work well with those kinds of deadlines because I have them when it comes to getting my books to the dev editor and the like. So I made sure I had a good chunk of time to work on things, and then set a finish date. I will be doing the same with two more projects after this, but again, there's another deadline there, after which I hope to maybe be in a place where I can draft again.
I tell you all this because I feel like a lot of the time, the focus is on churning out book after book after book, and if you are someone who can write, edit, publish in a short space of time, hats off to you. I am not. I know it would just stress me out, and I would lose my focus, so I do it my way, and that's fine. But if you're finding that the way you're doing this right now isn't working for you, then pivot. You might surprise yourself!
Any questions? Lemme know in the comments!
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[ID: An orange background with the title CRAMPING CHRONICLES: THE THIRD ACHE at the top and out now in ebook & paperback just below the title The except reads:
“No, it's fine,” I said, shaking my head again. “I should get to class, I don’t wanna be late there too.”
Craig took hold of my chair, Meera watching me with concern, as we both left our tutor room and headed off to our Maths class. I didn’t want to talk about Tyra just yet. There would come a time when I’d have to tell my friends, but until then I’d put it off.
After all, it didn’t feel like the problem was going anywhere.
At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the bottom left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]
5 WAYS TO REVISE/REWRITE
As you may know, I've been taking time off drafting and working on revising and rewriting older projects. At the moment I have two of those, as well as a project in the last stages of revision before it goes off to the editor. When I penned the last word of my previous drafting projects, I jumped into rewriting and revising without any real way of knowing how much work was going to be involved, and how to even go about doing it.
I'm someone who plans my time extensively. I make sure that I know what I'm going to be doing in the upcoming month, and I make sure I have all my ducks in a row as it were. So faced with going back to projects I last looked at in 2019, it was a little nerve wracking because I didn't really know what state they'd be in. I was aware that they would, probably, need a lot of rewrites, but I wasn't sure if I'd be going about that by outlining and rewriting every chapter, or doing it more as a revision project.
Now that I've had a few months of doing this, I have a better handle on things, and thought that today I would give you five ways to revise or rewrite and save you the stress of not knowing how to do it all.
#1 READ & CHANGE
This is similar to what I do when I first start any revision project. I set it up by doing a full read through and then making any changes as I need to. The issue with this is it can be exceptionally time consuming, and if you don't know ahead of time what, if any, changes need to be made, or even all of the plot beats through the story, you might find yourself correcting things that actually work and help with the later chapters. Now if you're a hardcore plotter, this might not be an issue, and if so, this way might work for you.
#2 APPROACH CHANGES IN BLOCKS
If you have a good idea of the story, either by reading through it completely and making notes, or by just knowing it well enough, then you can set about making those changes in blocks. Like splitting it into acts, or chapters, or scenes, whatever works for you, and then make those changes throughout that block before you move onto the next one. This works for plotters and pantsers, especially if you've already got a good idea about what needs to be changed in each section.
#3 REWRITE FROM THE START
I've never had to do this, but I do know that it works for some writers. They will write their first draft, or zero draft, and then go through and rewrite the whole thing, as in typing it all out, either using the first draft, or from knowing the story, and doing it that way. Whichever works for you is fine. I've thought about doing this, but have never had the reason to actually go about it, and while it might be something I do in the future, for now I've found that my way works better for me.
#4 READ AND OUTLINE
This is what I do. I will read the draft from start to finish, sometimes a few times, and will then sit and make an outline. I take copious notes, I make sure that I have all the plot beats and I make sure I know what needs to happen in each chapter for the story to be more cohesive. If things need rewriting, then I'll note that in the text, and I'll keep going through it until I'm sure I have everything. It's the way that's worked best for me in all my revising and rewriting time.
#5 GO CHAPTER BY CHAPTER
This is similar to approaching the changes in blocks, but in this case you'll do it on a chapter by chapter basis. It's going to be something that works better for those who already know how the story goes, and knows whatever plot issues you might have, along with pacing and the like. That's because you don't want to be getting a chapter perfect, only to find out later that actually you needed to keep this part for the rest of the story to work. It's not something I've ever done, but it could work for those with a better grasp of the full story.
So there we go, those are five ways you can approach revising and rewriting. It's a mammoth task and it will take time. I usually spend months getting my book into good enough shape to go to the editor, but of course I'm coming at it from a stance of being a plantser so it may be different for those who plot from the start. Good luck!
Any questions? Lemme know in the comments!
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5 PIECES OF WRITING ADVICE I HATE
If you've been a writer for any length of time, and especially someone who's online a lot, you'll have heard a whole lot of writing advice. Some of it has its place, but a lot of the time it's done in absolutes, and there are a lot of things that people forget when it comes to absolutes. Every writer is different and every one approaches the writing life differently, and that's completely valid.
Now having been writing more than half my life, it makes sense that I'd have picked up a few pieces here and there that I found just rubbed me the wrong way. You'll probably find that every writer out there has some pieces of writing advice that they just do not agree with and do not pass on to newbie writers, or if they do, they do so with a large pinch of salt.
I thought that today I would delve into the five pieces of writing advice that I really just can't stand, and dig into why and what I think should be given in its place!
#1 WRITE EVERY DAY
You can probably work out why I don't like this. I'm a chronically ill and disabled author, and it's just not physically possible for me to write every single day. But the same applies to those who are completely healthy as well. Writing every day is not sustainable, and while there are probably some unicorns out there who can manage it, I don't know any of them. My preference to this advice would be to set a routine, find a way that works for you, carve out that time, and it doesn't have to be every single day, and make it work. I think that's what the original giver of this advice meant, but the nuance has been lost over time.
#2 SAID IS DEAD
I got the same talk that I'm sure a lot of writers have had from their English teachers. We should vary the dialogue tags and never ever use said. Except that sometimes it's the best word for it. Sometimes getting creative with the tags makes the writing look clunky and comes across sounding like you picked up a thesaurus and just went nuts. Need I remind anyone of the writer who should not be named, who used the dialogue tag 'ejaculated' in all seriousness? Like really? That's better than just saying said? I don't think so. While yes it's good to have a little variety, said is often the better word.
#3 WRITE WHAT YOU KNOW
Ah, this one is one that gets me every time. While yes, there is a time and a place for it, a lot of the stories told are things people could never experience. I don't have psychic abilities, and yet I wrote a whole eight book series about it. I've never been in a dystopian, yet I've written about that. I'm not an empath, etc, etc. While yes it's a good idea to include things you have experience with, the ability to write almost anything is universal. Imagination is a powerful tool, and while yes, you should research things you're not familiar with, especially if we're talking marginalised identities, it's not where it's completely impossible to have help with that, like sensitivity readers, which are a great tool to use. If we all stuck to only writing what we know, fiction would be very boring.
#4 ONLY WRITE ONE GENRE
This is something I see a lot of people talking about and it always makes me sit back and think: huh? Like I do realise that there are some writers who will only write one genre, and that's fine for them, there are others, like me, who have a handful of genres and move through them. While it may be easier to have success with just one genre per pen name, it's not a case of always having to write that genre and nothing else. It can be done, there are successful writers who started in one genre and moved to another, and it works. It might be harder work, but it is possible. I go where the ideas take me, and even then, I'm more based in a handful rather than all the genres.
#5 X TROPE/GENRE IS DEAD, NEVER WRITE IT
I don't know whether people realise that everything goes in and out of fashion in cycles. There are always going to be hot genres and tropes for a time, and then people turn their focus to something else, and eventually yes, they come back to that trope/genre. It might make it harder to market, but along with the hot topics, there are always going to be those readers who always love that trope and genre no matter whether it's in fashion or not. So go ahead and write what you want, and decide about releasing and such on your own, but it's not a case of any genre or trope being dead forever. It'll come back around eventually.
So there we go, those are the five pieces of writing advice that I hate. While there is always going to be some pieces that apply more to others than you, there can, usually, be a way to make it work, I just avoid absolutes because they are never universally true. Your mileage may, of course, vary.
Any questions? Lemme know in the comments!
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